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Ó Bhéal<\/strong><\/font> in association with <\/font>Foras na Gaeilge<\/strong><\/font> presents<\/font><\/p>\n Stiof\u00e1n \u00d3 Cadhla<\/strong><\/p>\n You can listen to Stiof\u00e1n’s reading here<\/a>.<\/center><\/p>\n Rugadh Stiof\u00e1n \u00d3 Cadhla<\/strong> i Rinn \u00d3 gCuanach agus t\u00f3gadh ansan agus i mBaile an Easpaig ar imeall chathair Chorca\u00ed \u00e9. Ba \u00e9 An Creideamhach D\u00e9anach<\/i> (Coisc\u00e9im 2009) an ch\u00e9ad chnuasach fil\u00edochta aige. Bronnadh Gradam Fil\u00edochta Mhich\u00edl U\u00ed hAirtn\u00e9ide air sa bhliain 2012. Foils\u00edodh an tarna cnuasach Tarraing na Cuirt\u00edn\u00ed, a Dhocht\u00fair<\/i> (Coisc\u00e9im 2012), bronnadh duais aitheantais sa Chom\u00f3rtas Fil\u00edochta i gCom\u00f3rtas Liteartha an Oireachtais 2012.<\/p>\n <\/p>\n <\/font>\n<\/p>\n <\/a> Ó Bhéal<\/strong><\/font>‘s <\/font>End of Year Event<\/strong><\/font> presents<\/font><\/p>\n Fernando Beltr\u00e1n<\/strong><\/p>\n You can listen to Fernando’s reading here<\/a>.<\/center><\/p>\n He was born in the city of Oviedo, in the green and rainy region of northern Spain called Asturias in 1956, however his family moved to Madrid in 1964, which is where the poet now lives. In 1980, Beltr\u00e1n became one of the founding authors of Sensismo<\/i>, a poetry movement that signified a generational rejection of the cultural aesthetic tendencies of the Nov\u00edsimos<\/i> in the 1970s. In 1982, Beltr\u00e1n’s literary fame kicked off as he won the runner-up prize in the Premio Adon\u00e1is competition with Aquelarre en Madrid<\/i>, which has since been re-edited on numerous occasions, becoming a benchmark of his poetic generation.<\/p>\n The poetry of this Spanish author became clear in two manifestos. In 1987, he published the first, Perdimos la palabra<\/i> (We lost the word), in the daily newspaper El Pa\u00eds<\/em>, meanwhile the second manifesto, Hacia una poes\u00eda entrometida’<\/i>, (Towards a meddlesome poetry), appeared in the magazine Leer<\/em> later, in 1989. The second article is much more important for understanding this poet as the ‘interfering’ poet that he defines himself as.<\/p>\n Beltr\u00e1n also founded the Aula de las Met\u00e1foras, a poetry library to which the contemporary Spanish poet has donated 2500 works. The library can be found in the Casa de Cultura in Grado in the region of Asturias. At this present moment, he is the director of the poetry magazine, El hombre de la calle<\/i>. As well as being a poet, he is also a professor at the European Institute of Design and the Escuela Superior de Arquitectura. Aside from his work in literature, he also founded the business ‘El Nombre de las Cosas’, a studio which helps come up with names for new companies. Although at first many people thought he was mad, Beltr\u00e1n has actually had a great deal of success with this company. Among some of the brands the company has created, one can find Amena, Faunia, OpenCor, Cruzial, rastreator, La Casa Encendida, etc.<\/p>\n <\/font><\/p>\n <\/p>\n <\/a> Ó Bhéal<\/strong><\/font> in association with <\/font>First Fortnight<\/strong><\/font> presents<\/font><\/p>\n Cormac Lally<\/strong> and Julie Goo<\/strong><\/p>\n You can listen to Cormac and Julie’s complete performance here<\/a>.<\/center><\/p>\n <\/font> <\/font> <\/p>\n <\/a> Doireann N\u00ed Ghr\u00edofa<\/strong> Doireann\u2019s third collection Clasp<\/em> (Dedalus Press, 2015), was shortlisted for the 2016 Irish Times Poetry Award. She writes “with tenderness and unflinching curiosity” (Poetry Magazine, Chicago). <\/p>\n <\/p>\n <\/font>\n<\/p>\n <\/a> Fired!<\/strong><\/font>– Forgotten Women<\/strong><\/font> presents readings by<\/font><\/p>\n Raina J. Le\u00f3n, Chris Murray, Nicola Moffat, Kathy D’Arcy<\/strong> You can listen to the complete FIRED! performance here<\/a>.<\/center><\/p>\n Irish women poets are coming together all over the country to host Fired!<\/b> readings, discussions and events. This is not an isolated event, but part of a disturbing pattern which has emerged in Irish literature over the decades. This year, the publication of the Cambridge Companion to Irish Poetry has been something of a last straw. We will be reminding the Irish literary world about the beautiful work and talented poets who have been erased from the canon of Irish literature. We want to discuss why this happened, and how we can stop it from happening. We want more than anything to celebrate these women and their words. Audience members will have the opportunity to participate and read at the open-mic, and work by forgotten poets will be available to read from.<\/p>\n <\/font><\/p>\n <\/font><\/p>\n <\/font><\/p>\n <\/font><\/p>\n <\/font><\/p>\n![](\"https:\/\/www.obheal.ie\/blog\/wp-content\/uploads\/2017\/11\/StiofanOCadhlaSm.jpg\"\/)
<\/font>Stiof\u00e1n \u00d3 Cadhla<\/strong> was born in Ring. He is Head of the Department of Folklore in UCC. He has published two collections of poetry An Creidmheachach D\u00e9anach<\/i> and Tarraing Na Cuirt\u00edn\u00ed, A Dhocht\u00fair<\/i>, both with Coisc\u00e9im. He won the Michael Hartnett Award in 2012.<\/p>\n
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<\/font> Over the course of the years, Fernando Beltr\u00e1n<\/strong> has published over 15 poetry collections. Some of his works have been translated into 15 different languages and his entire repertoire has been translated into French by the publishing house ‘L’Harmattan’ in a book entitled L’Homme de la Rue<\/i>. While this means you don’t have to visit Spain to read his works, it is still best to take some Spanish classes to be able to read his works in their original form.<\/p>\n
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<\/font>First Fortnight<\/strong> is a charity that challenges mental health prejudice through arts and cultural action. Cormac Lally and Julie Goo first met at The All Ireland Poetry Slam Final 2014 in Kilkenny. This was the beginning of a literary adventure for both, for better or for worse. GooLally Productions was born in the summer of 2017, when both poets combined their work into a show entitled Me, Myself and Ireland<\/i>. This show went down a storm on Sherkin Island in August 2017 and is due to travel to travel the country over the coming year. GooLally Productions have created a unique show for the First Fortnight event at \u00d3 Bh\u00e9al, where each poet will explore life experiences which have impacted on their mental health. Expect honesty, darkness, hope and a good dose of humour. <\/p>\n<\/font>Cormac Lally<\/strong> is one of Ireland’s top spoken word artists and performance poets. His work has been featured on RTE’s Arena and the Moncrieff Show. He has opened for Liam O Maonlai, Luka Bloom, Mick Flannery, Ye Vagabonds, R\u00edR\u00e1, Martin Hayes and Denis Cahill, as well as performing all over Ireland at the countries\u2019 biggest festivals.\u00a0In 2015 he became the first poet to win two different Provinces of the All Ireland Slam Poetry Championship winning in Munster after having won Leinster the previous year.\u00a0In 2016 he teamed up with Julie Goo, Sean Denehey and Stan Notte to create the show Poets of the Revolution<\/i>, a show which poetically examined Ireland in 1916, 2016 and 3016. This sold out show was part of the Quarter Block Party Festival in Cork and was described as being “magical, insightful and full of colour”.\u00a0
\nLally\u2019s collections Scribbles, Dribbles and Homegrown Nibbles<\/em> and Too Busy Dancing<\/em> are sold worldwide. He lives and works in Skibbereen, Co. Cork.\u00a0<\/p>\n<\/font>Julie Goo<\/strong> is a Cork-born bilingual writer and singer. In 2012, her chapbook Spoken Worlds – lost in print<\/i> was published, and she was one of two Cork poets chosen to represent Cork in Coventry for the Annual Twin Cities Exchange. Goo has performed at a wide range of festivals and events including: TedX Cork, Winter Warmer, Lesbian Lives Conference, Circus Factory, \u00d3 Bh\u00e9al, Electric Picnic, Valentia Isle Festival, Indiependence, Body & Soul, Live Words, Support Act to Panti Bliss at St. Luke\u2019s, Connolly\u2019s of Leap, The Quarter Block Party, Eastrogen Rising, The Kino, and Cork Midsummer Festival. Goo was crowned Munster Slam Champion in 2012, and has represented Munster in The All Ireland Slam twice. Her slam poetry is socially conscious, politically driven, uplifting and open hearted. As a primary school teacher, who is passionate about inclusive, Educate Together Education, Julie also gives writing workshops to kids. Her motto in life is \u2018I\u2019d try anything twice\u2019. Check out Julie Goo\u2019s facebook page<\/a> or email juliegoopoetry@gmail.com for a list of upcoming events.
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<\/font>Doireann N\u00ed Ghr\u00edofa<\/strong> is a bilingual writer whose books explore birth, death, desire and domesticity. Her poems and prose regularly appear in literary journals in Ireland and internationally. Among her awards are the Ireland Chair of Poetry Bursary, the Rooney Prize for Irish Literature, the Michael Hartnett Award for Poetry and Scotland’s Wigtown Award for Gaelic Poetry. She frequently participates in cross-disciplinary collaborations, fusing poetry with film, dance, music, and visual art. Recent\/forthcoming commissions include work for The Poetry Society (Britain), RT\u00c9 Radio 1, University College Cork, and The Arts Council\/Crash Ensemble.<\/p>\n
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\nand surprise guest Kate Dempsey<\/strong><\/p>\n![](\"https:\/\/www.obheal.ie\/blog\/wp-content\/uploads\/2017\/11\/FiredSm.jpg\"\/)
<\/font>In the fifties The Oxford Book of Irish Verse<\/i> was published, edited by male poets Lennox Robinson and Donagh MacDonagh. The anthology contained work by eighteen women, which was pretty good going for the time. In 1986, Thomas Kinsella edited The New Oxford Book of Irish Verse<\/i>. It contained work by one woman \u2013 from the Irish, in translation. Kinsella was the translator.<\/p>\n![](\"https:\/\/www.obheal.ie\/blog\/wp-content\/uploads\/2017\/11\/RainaSm.jpg\"\/)
<\/font>Raina J. Le\u00f3n<\/strong>, Cave Canem graduate fellow (2006), CantoMundo fellow, Macondo fellow, and member of the Carolina African American Writers Collective, has been published in numerous journals as a writer of poetry, fiction and nonfiction. Her first collection Canticle of Idols<\/i>, was a finalist for the Cave Canem First Book Poetry Prize (2005) and Andr\u00e9s Montoya Poetry Prize (2006). Her third book sombra : (dis)locate<\/i> was published in 2016 as was her first chapbook profeta without refuge<\/i>. A founding editor of The Acentos Review<\/i>, an online quarterly, international journal devoted to the promotion and publication of Latinx arts, she is also an associate professor of education at Saint Mary’s College of California. <\/p>\n<\/font>Chris Murray<\/strong> is an Irish poet. Her chapbook Three Red Things<\/i> was published by Smithereens Press in June 2013. A small collection of interrelated poems in series and sequence, Cycles<\/i>, was published by Lapwing Press in autumn 2013. A book-length poem, The Blind<\/i>, was published by Oneiros Books in 2013. Her second book-length poem, She<\/i>, was published by Oneiros in spring 2014. A chapbook, Signature<\/i>, was published by Bone Orchard Press in March 2014. A Modern Encounter with ‘Foebus abierat’: On Eavan Boland’s ‘Phoebus Was Gone, all Gone, His Journey Over<\/i> was published in Eavan Boland: Inside History<\/i> (Editors: Nessa O’Mahony and Siobh\u00e1n Campbell) by Arlen House in 2016.<\/p>\n
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<\/font>Born and raised in South Africa, Nicola Moffat<\/strong> has spent the last nineteen years trying to become a Corkonian. She is a regular attendee of the \u00d3 Bh\u00e9al open mic nights and has been published in \u00d3 Bh\u00e9al’s annual Five Word Challenge anthology. She was also invited to contribute to the 2016 \u00d3 Bh\u00e9al Winter Warmer Festival and her reading can be found here: youtu.be\/bSaiAiH9mho<\/a>
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<\/font>Kathy D’Arcy<\/strong> is a Cork poet (Encounter<\/em> 2010, The Wild Pupil<\/em> 2012) currently completing an IRC-funded Creative Writing PhD in UCC, where she teaches with the Women’s Studies department. In 2013 she received an Arts Council Literature Bursary for her poem Camino<\/i>. She has worked as a doctor and youth worker as well as teaching creative writing. Her play This is my Constitution<\/i> was staged in 2013 at an Irish parliamentary briefing on gender. She was 2016 editor of the Cork Literary Review<\/em> and is current editor of Rhyme Rag<\/em> (an online poetry journal for young people). She is currently involved in the Irish Pro-Choice campaign.
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<\/font> Born in Dublin, where she still lives, and educated at Trinity College and in the United States, Paula Meehan<\/strong>, has published seven award winning collections of poetry including Dharmakaya<\/i> and Painting Rain<\/i>. She has written plays for both adults and children, notably Cell<\/i>, a play about women prisoners, and The Wolf of Winter<\/i>, an ecological fairy tale. Music for Dogs<\/i> collects three plays concerned with suicide during the economic boom years in Ireland. <\/p>\n